Honest Thief Review Liam Neeson Doesnt Steal Much More Than
In "Honest Thief," Liam Neeson is a bank robber who's taken with a local woman; he's neither good nor bad, but sort of in the grey surface area. His attempt to go straight leads to not-stop complications.
(Open Road Films)
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The new Liam Neeson offense movie "Honest Thief" doesn't feel … honest.
Neeson plays Tom, a successful bank robber whose extremely precise pattern is somehow not decoded by the FBI over years. Riding a long unbeaten streak, Tom meets Annie (Kate Walsh, in a thankless role) and decides he should retire. We're told she'due south smart and funny and all that stuff, merely we don't really witness information technology. Still, to be with her, Tom tries to turn himself in and return the stolen millions in to the FBI in commutation for a favorable sentence. Through a difficult-to-swallow sequence of events, Tom ends up on the run from dirty Feds and spends the rest of the film trying to clear his name for a murder he didn't commit while protecting Annie. You'd call up bad guys would know by now to leave Liam Neeson'due south loved ones lone. The more mild mannered he seems, the more than specific his set of skills turns out to be.
Liam Neeson is a bank robber with a very specific set of skills in "Honest Thief."
In that location are elements of "Taken" and "The Fugitive" and other films here, just what might have lifted "Honest Thief" in a higher place the very predictable and low-energy pack might accept been elements of "The Hurt Locker." The film establishes an interesting backstory for Tom, involving defusing IEDs as a Marine and condign embittered past seeing his father destroyed by uncaring economical forces. Thus he knows how to blow stuff upward and likes sticking information technology to the man. But the movie ignores everything else that might hateful, with an obligatory wave at the possibility of PTSD but no follow up. He says he robs banks largely for the adrenaline set up, merely we never run into that.
Unfortunately, Neeson and Walsh have trivial chemistry despite their relationship supposedly existence so deep and passionate he's willing to unnecessarily go to prison for her. Other notable actors are wasted, including Robert Patrick, Jeffrey Donovan and Anthony Ramos of "Hamilton" (beyond Ramos, there is some other little asset in at that place for "Hamilton" stans). Shelly Johnson's cinematography is coldly efficient.
It'south one of those pseudo-thrillers with machine chases and shootouts in which information technology's difficult to invest yourself because its rules seem fungible. Characters don't acquit the way people probably would in given situations. FBI agents refuse to vet tips on major crimes past merely asking a few bones questions. I agent brandishes his firearm like a John Woo villain, non a Quantico graduate. Characters forget they're gravely injured. 1 is hospitalized for a concussion and then severe it stops the person's animate, but the side by side day is out and nigh for a criminal offense-stopping adventure. Guards aren't stationed at a witness' hospital room. It's the kind of movie where the protagonist asks his girlfriend to spend their lives together, then says, "In that location's something else I have to tell you," only to be shut down with "No, no, non tonight; this daughter's had enough surprises for one night" as she strolls away, swigging from a champagne bottle.
"Honest Thief" could have used a reality bank check.
'Honest Thief'
Rating: PG-13 for strong violence, crude references and brief stiff language
Running fourth dimension: 1 hour, 39 minutes
Playing: In general release where theaters are open up
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Source: https://www.latimes.com/entertainment-arts/movies/story/2020-10-15/review-honest-thief-liam-neeson
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